Review: Splatoon

Murder, Ink

Splatoon feels like a classic Nintendo game, albeit one released for Sega's Dreamcast in some sort of bizarro-world alternate past. Its central mechanic – using ink, fired from various weapons, to both kill enemies and facilitate movement around the stages – is as satisfying in practice as it is in concept, as with the best Nintendo titles. And it boasts the sort of sky blues and funked-out aesthetic and soundtrack that became a hallmark of some of the Dreamcast's most memorable hits.

The ink is integral to the experience: in fact it is the experience. It's both a weapon and...

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